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January 23, 2008

Deadly mistakes #s 5 to 7

Here are the final three mistakes in the Seven Deadly Mistakes Presenters Make series:

Mistake #5. Presenting your information in the order that makes most sense to you.
Typically, presenters put their material into some kind of logical order, an order that makes sense—to them. For example: background, opportunity, strategic imperative, competitive environment, financial implications, human resource implications, etc., etc. Boring. Begin your presentation with a pressing problem that your audience has (see Mistake #2) and then tell them your proposed solution. Here’s the important part: to decide where to go next, ask yourself: “If I were to stop right here, what is the first question that would come from the audience?” That will tell you what your next slide should say. Design that slide, and then repeat the question. This way you will progressively design a presentation sequenced in the way your audience wants to hear it, not in some arbitrary order that seems to make sense to you.

Mistake #6. Using color, sound, and clipart to make your presentation look professional.
Adding all the embellishment that PowerPoint allows you to may make you feel more professional, but it harms your communication. The research is unambiguous here also: any added color, sound, or image that does not directly reinforce the specific message on your slide will distract your audience from that message. Animated slide transitions, in particular, are almost universally destructive.

Mistake #7. Using your slides as prompts
Perhaps the very worst example of developing a presentation for the benefit of the presenter rather than for the audience is the use of slides to prompt the speaker. You’ve seen this kind of presentation: slide after slide of bullet points, so that the poor presenter won’t forget what he intended to say. Yet extensive research confirms that when you project slides filled with bullet points while speaking at the same time, your bullets and your voice compete with each other, with the result that your communication effectiveness is worse than either if you projected your slides and asked your audience to read them (while you keep quiet) or if you spoke without any slides at all. If you are going to use visuals, make sure that they support, rather that vie with, your spoken comments. One way to do this is to use more graphics and less text (several research studies conclude that while voice and text compete with each other, voice and graphics reinforce each other). Another way is to ensure that every slide you design passes the “squint test”: if you squint at the slide, so that none of the text is legible, the layout of the slide alone should communicate or at least reinforce the main point of the slide.

If you want your audience to listen to you and act on what you say, then every aspect of your presentation should focus on them and serve their needs.

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Comments

That's a Boo Yah for you. On all three counts.

I have the most trouble with M#5. There are a few problems/exceptions that I can think of. For example, in some circles - especially in government - there is a dictated order in which briefings will be structured. Failure to adhere adequately (a somewhat subjective matter) gets the briefing terminated on the spot. Thus the matter of how one both structures the briefing to tell the story, whether that story is a legal brief or a mystery novel, and meets the demands of organization, briefing recipient, ... can require both creativity and experience. The answer-the-expected-question paradigm is a useful one, but the tricky part is how deep does one go? Lacking some finesse on weaving the logical path and the answer-the-questions path together, the result can be an even more revolting decomposition than the purely logical. As always, rule number zero (it is the first positive integer!) is "know your audience."

Sensus, non aetas, invenit sapientem.

Thanks SCP. I think the dictated order of briefings is usually a result of the audience having been through too many horrendous briefings in the past; by forcing a structure on their presenters they hope to minimize the damange. Understandable. I had this discussion with a defense contractor in one of my workshops recently, and the best suggestion I could offer was to work within the dictated order (which usually consists of five to seven parts) and then tell a short story within each of those parts.

You are correct but I have to add that the dictated order thing is a concept sold as a time management tool to executive wanna-bes. So while it does sometimes result from bad briefings, which are more common than microbes on the human body, it also comes from antiproductive management gurus.

One approach is the chapter approach as you have indicated but this doesn't really help reduce the "impedance mismatch" between parts. Somewhat harder to do but more effective, when it can be done, is to structure the transition as the question answering approach you previous described.

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